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Glen Clarke
Curriculum Vitae
“The
correct distance between objects is critical, whether
the distance is physical,
cultural or emotional. Two objects
too close to each other become
one, two objects too far
apart no longer relate to each
other”
-
Glen Clarke
EDUCATION
1990 Master of Fine Art
Tasmanian School of Art, University of Tasmania (Hobart)
1976 Diploma of Art & Design
School
of Visual Arts, Gippsland Institute of Advanced Education
EMPLOYMENT
2002-2004 Teacher: Design and Technology: SHORE Sydney Church of
England
Grammar, North Sydney
2003 Artist in Residences: United Nations
International School, Hanoi; The British
International School, Ho
Chi Minh City; The Ho Chi Minh International
School, Ho Chi Minh City
2001 Head of Studio, Teacher: Sculpture &
Printmaking Teacher: SHORE Sydney
Church of England Grammar, North Sydney
1999-2000 Installations Manager: Contemporary Art Services Tasmania
1998 Associate Professor of Sculpture: University of
Hue, Vietnam
Artist
in Residence (non-resident): Risdon Prison, Tasmania
1996 Head of Studio: Visual Investigation, Lecturer
of Sculpture (part-time)
Tasmanian School of Art, University of Tasmania
1994-95 Lecturer of Sculpture and Drawing (part-time): Tasmanian School
of Art,
University of Tasmania
1991-93 Lecturer of Sculpture (part-time): Tasmanian School of Art,
University of
Tasmania
1989-90 Tutor of Painting (part-time): Tasmanian School of Art,
University of
Tasmania
1977-78 Tutor of Painting and Sculpture (part-time): Monash University,
Gippsland
Campus (GIAE)
AWARDS, GRANTS &
COMMISSIONS
2006 Asialink Residency, Valentine
Willie Fine Art, Kuala Lumpur, Malaysia
2005 National Sculpture Prize
2005, National Gallery of Australia/Macquarie
Bank
2003 Development Grant, Visual
Arts/Crafts Fund, Australia Council
2002 Exhibition Assistance Grant,
National Association of the Visual Arts
2001 Pat Corrigan Artist Grant
2000 Development Grant, Visual
Arts/Crafts Fund, Australia Council
1999 The 1999 Hutchins Art Prize;
1997 City of Hobart Art Prize
(Sculpture); Hobart Remand Centre
1996 Lansdowne Primary School
1993 City of Hobart Prize for Sculpture
1978 Mildura Sculpture Triennial
1975 Mildura Sculpture Triennial, Latrobe
Valley Purchase Awards
1973 Musswellbrook Painting Award
COLLECTIONS
Australian National Gallery of Australia, Canberra; National Gallery of
Victoria, Melbourne; Tasmanian Museum & Art Gallery, Hobart;
Latrobe Valley Arts Centre, Latrobe; Mildura Art Centre, Mildura;
University of Tasmania, Hobart; Australian Embassy, Hanoi; Hue
International Sculpture Park,;The Hutchins Foundation Ltd, Hobart, The
Renwick Foundation, New York; The British International School, Ho Chi
Minh City.
SOLO EXHIBITIONS
2004 “American Crater Near Hanoi”,
sSherman
Galleries, Sydney
“Anh Yeu Em, Dep Qua”, Despard Gallery, Hobart
1996 “Into The Piguenit”,
Contemporary Art Services Tasmania, Hobart
1992 “Still Life (Jono, Robbo, Smitty
and me)”, Microscope Gallery, Melbourne
1991 “Your Place or Mine? The
Supermarket and Syntactical Sanguinity” Terra
Australis Gallery, Melbourne
1990 “House”, Microscope Gallery,
Melbourne
1987 “Socrate’s Thorn”, Latrobe Valley
Art Centre, Morwell
1984 “Italian Works”, Switchback
Galleries, Churchill, Victoria
1982 “Plumage”, Tolarno
Galleries, Melbourne
1977 “Works on Paper”, Tony
Coleing Gallery, Sydney
SELECTED GROUP
EXHIBITIONS
2006 “Who Cares” Boutwell Draper
Gallery Redfern.
“The Helen Lempriere National Sculpture
Award”, Werribee Park Victoria.
2005 “National Sculpture Prize 2005”
(winner) National Gallery of Australia,
Canberra
ArtSydney05, represented by Despard
Gallery, Hobart
2004 “Out of Sight” Tactile Sculpture
at Object Gallery, Sydney
2003 National Sculpture Prize and
Exhibition, National Gallery of Australia,
Canberra
New York Art Fair , Mai’s Gallery, Ho Chi
Minh City
“Reverb” 4 Australian artists
return to Viet Nam, Mai’s Gallery, Ho Chi Minh
City
Viet Nam
2002 “Hue” 4 artists respond to
the experience of working in Viet Nam, Asian
Australian Artists Association, Gallery 4A,
Sydney
The 32nd Alice Prize, Araluen ArtsCentre,
Alice Springs
2001 Blake Prize for Religious
Art, S H Ervin Gallery, Sydney
“Working Conditions”, Carnegie Gallery, Hobart
1999 SOFA (Sculptural Objects and
Functional Art), Chicago, USA
“Wish you were here” (Satellite Exhibition of
the Asia Pacific Triennial)
Smith & Stoneley Gallery, Brisbane
1998 “Impressions of Hue”, The
Second International Sculpture Symposium,
Hue Vietnam
“<CAST> Intro”, Contemporary Art
Services Tasmania, Hobart
1997 “Apples from Oz –
Marketing to the Empire and Beyond”, Tasmanian
Museum &
Art Gallery, Hobart
1996 “Perimeter: Home of
the Nothinging” (Collaboration with Cath Roberts),
Contemporary Arts Services
Tasmania, Hobart
1995 “The Christmas Tree”,
Tasmanian Museum & Art Gallery, Hobart
1993 The City of
Hobart Art Prize, Tasmanian Museum & Art Gallery, Hobart
“Familiarity? Re-examining Australian
Suburbia”, Plimsoll Gallery,
Hobart
1992 “The Underpass Show
II” (Triennial Annex) Degraves St, Melbourne
1991 ARX 3, Artists
Regional Exchange, Perth
1990-92 “Contemporary Gippsland Artists”, Latrobe
Valley Arts Centre, Morwell,
(toured nationally)
1990 “The Underpass Show”,
(Triennial Annex) Degraves St, Melbourne
1989 “Flat: Sculptors’
Works on Paper”, Australian Centre for Contemporary
Art, Melbourne; Fine Arts Centre,
Hobart
1981 1st Australian
Sculpture Triennial Melbourne
1978 Mildura
Sculpture Triennial
“Contemporary Sculpture &
Performance", Latrobe University, Melbourne
1975 Mildura
Sculpture Triennial
PUBLICATIONS
“Suppression = Alienation = Oppression”
Glen Clarke published by Champion, 1979
SELECTED READINGS
“Dictionary of
Australian & New Zealand Artists & Galleries” by Max Germain
“The Bandaged Image” A Study of Australian Artist’s Books by Gary
Catalano Hale and Iremonger, Sydney
“Contemporary Gippsland Artist”
(Touring Exhibition 1990 – 1992) Catalogue Essay by David Hansen
“Sculpture at Mildura” The story of the Mildura Sculpture Triennial,
1961 - 1992, by
Graeme Sturgeon, Published by Mildura City Council
“How the Old Canons were Destabilized in Mildura in 1975”
Noel Sheridan, Artlink Volume 13, Number 2, August 1993
“Power and Oppression” Dorothy Erickson, The Bulletin, May 5,
1992
“Glen Clarke” Interviewed by Sharon Woods, Contemporary Art
Tasmania No.3, Autumn 1994
“Off The Map” David Hansen, Art Monthly March 1994, No 67, April
1994, No. 68
“Familiarity? Re-examining Australian Suburbia” Jennifer Spinks,
Art Monthly, December 1994, No. 76
“Museum of the Mundane” Sean Kelly, Artlink Volume 14, No.4,
Summer1994
“Familiarity” Peter Hill, Art & Text, No. 50, 1995
“Art and Suburbia” Chris McAuliffe, Craftsman House, ISBN 976
6410 291,
“Jam Rothko and Marshmallow" Pippa Haslem, Siglo Edition, No.9
“Specific Times & Particular Spaces” Mary Knights, Artlink,
Vol.18, #2 1997
“Metro” Peter Hill Sydney Morning Herald 01/11/02
“2003 National Sculpture Prize and Exhibition” Elena Taylor,
artonview issue No. 33, autumn 2003
Nha Dieu Khac Glen Clarke, interview. TheThaoVanHoa
August 2003
The Saigon Times Daily. Cultural Fusion. September 2003
VanHoa:NgheThuat. September 2003
Viet Nam Economic Times. September 2003
“Anh Yeu Em Nguyen Thi Minh Khai” Interview by Kim Ung, Saigon
Times 09.01.2005
"Pofile on Glen Clarke 2005 National Sculpture Prize" Eve
Sullivan
National Gallery of Australia, artonview issue 43 spring
2005
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